November 2025 — 34°S, 58°W

Three Days in Buenos Aires

18 – 20 NOV 2025 23 PHOTOGRAPHS PALERMO · RECOLETA · CENTRO
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Bleary-eyed off a Dallas red-eye, my dad Michael, my brother Ben, and I (Boris) stumbled into the warm November sun of Buenos Aires. We were supposed to just be passing through on our way to Patagonia, but this grand, vaguely Parisian city completely sucked us in. Three days flew by as we wandered giant cemeteries, hunted down art, inhaled daily arepas, and nerded out over the local book scene.

Day One

The City in Bloom

Ecoparque, Recoleta, and first encounters with a metropolis built for grandeur.
November 18 — Walking route through Palermo & Recoleta
Photo location
Route
06:30
Landed at EZE after a 10-hour flight from DFW. Argentine customs easier than expected—in hindsight, we could have brought more food.
07:30
Uber to Casa Joseph, Palermo. The driver gave us a master class in Argentine football: River Plate good, Boca bad. Also: his take on Milei's presidency—"so-so overall, good for small business, difficult for working people."
09:00
Bags dropped. Room not ready. Exchanged $100 USD at Cambio Baires—enough for the entire rest of the trip.
09:30
Entered the Buenos Aires Ecoparque, the former zoo turned botanical green space.

The Ecoparque was exactly what a body needed after fifteen hours in transit. It replaced the old Buenos Aires Zoo in 2016 and now sprawls as a half-wild botanical space within the larger Bosques de Palermo. School groups roamed in matching uniforms. The animals were few but memorable.

Peacock perched high in a tree
A peacock perched improbably high in a Ecoparque tree—a sight that brought back memories of India.
A Patagonian mara sitting on the grass Another Patagonian mara resting
Patagonian maras—looking like a strange cross between a rabbit and a small deer—roam freely through the Ecoparque.
Patagonian Mara
Dolichotis patagonum

A relatively large rodent endemic to Argentina. They possess distinctive rabbit-like ears and long, slender legs suited for running, giving them an unusual appearance bridging multiple familiar animal forms. Wikipedia

River otters fought over trout below the footbridges, the mothers carrying their babies by the scruffs of their necks with an urgency that suggested this was not for show. Peacocks displayed their tails and perched in trees with the casual omnipotence of creatures that know they are beautiful. And everywhere, dog walkers threaded through the park paths managing eight, ten, twelve leashes at once—a profession that seems to be a genuine pillar of the Buenos Aires economy.

Professional dog walker with many dogs on a Buenos Aires sidewalk
A paseador de perros with her afternoon roster. In BA, professional dog walking is less a gig and more an institution.
· · ·

After a tactical nap relay—two went out for Venezuelan arepas, one slept, then swapped—the afternoon brought Recoleta. The cemetery there is Buenos Aires' most famous site and one that divides visitors cleanly. The density of mausoleums is undeniably impressive: a labyrinth of miniature cathedrals crammed together like a city within the city, housing the dead in more opulence than most of the living ever achieve. Evita is there. A few tombs bear Stars of David, hinting at the layered identities of Argentine families.

But for some of us, the place felt emotionally cold—vanity persisting even in death. So different from the simple headstones one might be accustomed to, where the point is the memory, not the monument.

Cementerio de la Recoleta
Cemetery · Est. 1822

The first public cemetery of Buenos Aires, now containing roughly 4,700 vaults. Architectural styles span Neoclassical, Art Nouveau, and Art Deco. Notable residents include Eva Perón, multiple presidents, and Nobel laureates. Declared a National Historical Monument in 1946.

15:00
Venezuelan arepas at Chacaito Caribbean Food Station. Delicious. We would keep returning to Caribbean food all trip.
16:30
Recoleta Cemetery. Impressive but emotionally foreign.
18:00
Walked through the leafy Recoleta neighborhood past the Faculty of Law.
19:30
Dinner in Palermo Hollywood. Spanish omelet to close out day one simply.
Day Two

Art, Books, and Tango

MALBA, El Ateneo Grand Splendid, Teatro Colón, Café Tortoni, and a late-night tango show.
November 19 — Palermo to Centro via Recoleta
Photo location
Route

MALBA—the Museum of Latin American Art of Buenos Aires—was the intellectual highlight of the trip. The permanent exhibition alone would justify the visit: kinetic sculptures that felt like the art-and-tech of the pre-digital world, cubist experiments with landscape, and surrealist work from corners of the continent that rarely get museum wall space in North America.

Three works lodged themselves permanently in memory.

Skull artwork made from electronic components at MALBA
A skull assembled from circuit boards and electronic detritus. Technology as memento mori.
Antonio Berni - Manifestación painting
Antonio Berni, *Manifestación* (1934). Every face a portrait. Every portrait a demand.
Antonio Berni
Artist · 1905–1981 · Argentine

A central figure in Argentine art who moved through Surrealism and Social Realism. *Manifestación* depicts a workers' protest during the Infamous Decade—each face painted with individual specificity, refusing to let the crowd become anonymous. Google Arts & Culture

Grete Stern dream photograph at MALBA
Grete Stern, from the *Sueños* (Dreams) series. She essentially invented the genre of surrealist photomontage in Argentina.
Grete Stern
Photographer · 1904–1999 · German-Argentine

Bauhaus-trained photographer who fled Nazi Germany for Buenos Aires. Her *Sueños* series (1948–51), made for a women's magazine advice column, turned readers' dreams into surrealist photomontages—decades before the technique became mainstream. Wikipedia

· · ·

From MALBA we Ubered to El Ateneo Grand Splendid, the theater-turned-bookstore that regularly makes lists of the world's most beautiful bookshops. What no list prepares you for is the sheer volume of *Spanish-language* books. This was not a curated English-speaking tourist attraction. The balconies held thousands of titles across every genre, the former stage served espresso, and nearly every browser in the aisles was speaking Spanish. It is a whole world.

Books at El Ateneo - Dostoevsky and Philip K. Dick Vintage copy of La Dama de las Camelias
Dostoevsky beside Philip K. Dick, and a vintage Dumas. The bookstore as evidence that Buenos Aires' literary culture runs as deep as its football rivalries.
El Ateneo Grand Splendid
Bookstore · Est. 1919 as theater, converted 2000

Originally the Teatro Grand Splendid, used for tango performances and early sound films. RCA Victor recorded Carlos Gardel here. Converted to a bookstore in 2000 by El Ateneo, preserving the frescoes by Nazareno Orlandi, the balconies, and the theatrical lighting. Buenos Aires has one of the highest densities of bookstores per capita in the world.

El Ateneo did not feel like a curiosity built for tourists, but like a quiet statement about what the city values.
Grand Belle Époque building facade in Buenos Aires
The architecture of the Centro district. Buildings from an era when Argentina was among the ten wealthiest nations on Earth.
· · ·

Teatro Col\u00F3n is the sort of building that makes you recalibrate your sense of civic ambition. The guided tour was in Spanish, which provided a good excuse to test Apple's AirPods translation mode. (The verdict: completely lacking. Poor outward-facing microphones, probably, but also just not ready.) No matter. The building spoke for itself—gilded tier upon tier, an acoustic reputation that ranks it alongside La Scala and the Vienna Staatsoper, and a park square outside featuring a notably grand synagogue that now houses the Jewish Museum of Buenos Aires.

Selfie inside Teatro Colón showing gilded balconies
Inside the main hall. The balconies rise six stories, every surface gilded, the chandelier absurdly large.
Teatro Colón
Opera House · Est. 1908 · 2,487 seats

Considered one of the top five opera houses in the world for acoustics. The horseshoe-shaped auditorium seats 2,487 with standing room for 1,000 more. Luciano Pavarotti called it the venue where all singers wish to perform. The building occupies an entire city block in the heart of Buenos Aires.

Templo Libertad synagogue near Teatro Colón Ornate clock tower in Buenos Aires Centro
Templo Libertad—Argentina's oldest and largest synagogue, a block from the opera house—and the eclectic architecture of the surrounding Centro.
Templo Libertad
Synagogue · Est. 1897, current building 1932

The Romanesque Revival synagogue of the Congregación Israelita Argentina, the oldest Jewish congregation in the country. Houses a Walcker symphonic organ—one of only three surviving Walckers made for synagogues globally. Weekly organ concerts are held in collaboration with the Teatro Colón. Declared a National Historical Monument in 2000.

Crowd gathered outside Teatro Colón at golden hour
Golden hour outside the Teatro. The trees, the crowd, the fading light—Buenos Aires doing what it does best: being cinematic without trying.
· · ·

Walking southeast toward the Obelisk, we stopped at Caf\u00E9 Tortoni—opened in 1858 by a homesick French expat inspired by the eponymous (now less famous) caf\u00E9 in Paris. It is a living museum, all dark wood and stained glass and antique coffee urns, reminiscent of a grandmother's fever dream. The cocktails were good. The hot chocolate was better. The fact that a successor caf\u00E9 could so thoroughly eclipse its Parisian original felt like a metaphor for Buenos Aires itself.

Two travelers smiling at Café Tortoni Antique silver coffee urn at Café Tortoni Book - Teorías de los Cafés
Café Tortoni: the company, the hardware, and the reading material. "Teorías de los Cafés" feels like the most Buenos Aires book title imaginable.
Café Tortoni
Café · Est. 1858 · Av. de Mayo 825

The oldest café in Argentina, named after a Parisian café on Boulevard des Italiens that no longer exists. Historically a meeting place for artists and intellectuals including Jorge Luis Borges, Carlos Gardel, and Luigi Pirandello. The interior preserves its original Belle Époque furnishings.

The evening's main event was a tango show at Tango Porte\u00F1o, though we nearly sabotaged it through a comedy of logistics: checking in, being forced to bag-check our takeaway dinner, ordering more food, realizing the show wouldn't start for half an hour, deciding to eat the first dinner while it was warm, leaving the building, eating on a city bench like vagrants, and finally returning to our seats just in time.

The show itself was worth every miscalculation. A sextet—piano, bass, two accordion, two violin—was set up on an upper stage above the dancers, an unusual arrangement that gave the musicians proper visual presence. Five pairs performed ten numbers ranging from slow and emotional to technically ferocious. The most memorable act featured percussive dancers who swung weighted balls on strings like nunchucks, striking the floor with impossible speed and rhythmic precision.

Porteños are the demonym for residents of Buenos Aires, named after the city's historic role as Argentina's principal port.
— from the trip log
Day Three

Poets and Departures

A morning walk through a garden of poets, then southward to Patagonia.
November 20 — Final morning in Palermo, then airport
Photo location

We slept until nine and of course did not check out on time, which seemed to be totally fine with our host. We left bags at the front desk and went for a last walk. The plan was the Japanese Garden, but a detour through a poetry garden proved more interesting—busts of the canonical poets lining the paths. Dante, Shakespeare, Khalil Gibran, and the surprising inclusion of Taras Shevchenko, the Ukrainian national poet.

Does Seattle's Rose Garden have such reverence for literary heroes? Unlikely. Like the Mexican education system, Argentine schools seem to maintain a deeper relationship with the old world's canon. We wondered: when the United States shed its European cultural inheritance, did it throw out the baby with the bathwater?

Two travelers posing at airport ICBC booth
Last photo in Buenos Aires. Somewhere between exhaustion and excitement, Patagonia-bound.

Made the flight despite traffic. We were headed to El Calafate—a town at 50\u00B0S that functions as the gateway to the glaciers and the hiking capital of El Chalt\u00E9n beyond. But that is a different chapter, one with different weather, different terrain, and considerably fewer bookstores.

From Vancouver (49°N) to Puerto Natales (52°S) is 101 degrees of latitude—roughly 11,200 kilometers, nearly the full height of the inhabited world.
Place Category Verdict
Buenos Aires Ecoparque Park / Wildlife Perfect jet-lag remedy. The maras alone are worth the visit.
Cementerio de la Recoleta Cemetery Architecturally stunning, emotionally cold. Divides visitors.
MALBA Art Museum The intellectual highlight. Berni, Stern, kinetic sculptures.
El Ateneo Grand Splendid Bookstore Not a tourist trap—a working bookstore in a city that still reads.
Teatro Colón Opera House Genuinely awe-inspiring. Skip the AirPods translation.
Café Tortoni Café A living museum. Grandmother's fever dream. Good hot chocolate.
Tango Porteño Performance Masterful. The percussive nunchuck act was unforgettable.
Chacaito / Caribbean food Restaurant The surprise staple. Arepas and cachapas on repeat.